It can be even less with the other options.
#Liveprofessor 32 bit pro#
Even with the built in UB-madi and macbook pro I can get the rout trip latency down to 4-6ms (depending on sample rate). I remedy the above situation by using the built in UB-madi or additional cards for dante/soundgrid/madi and run inserts through my computer where I can use Qlab/waves/live professor, etc. I'll see how it handles them and how fast it will do it. I haven't tried changing DCA routing as part of that, but I can try it next time I have the console set up. If you are only using the console for snapshots, it's fairly robust. Unfortunately this means integration with QLab, Palladium, Live Professor, etc. I've made that request to them several times.
The S21/31 don't support OSC or Midi at this time (not to my knowledge anyway). It's just color and it's a smooth transition so it's pretty much impossible to tell how many db it really is unless you solo it, but also the s21/31 have so much headroom that you can pin it in the red not notice. I do sometimes wish they were larger or had any sort of value associated with them. One of the things I really like about the on-screen metering is that it shows you pre and post meters all the time. I personally haven't had any problem with the scribble strips being where they are.
#Liveprofessor 32 bit software#
But maybe if there is no plan to make the theater software version for the S21 or S31 maybe they would be open to that. But since DiGiCo has its own theater software I don’t know how cooperative they would be. I also understand that the DiGiCo consoles uses OSC and I would love to write a mixer file for the S21 and the S31 for Palladium but I would definitely need a console to do that. And it looks like all of the things you want to do with DCA reassignments is something that Palladium can do with an M480. The Midi implementation on the Roland is very good. I helped write the mixer file for the M400 and I could probably write one easily for the M480 if I could get my hands on one to play with. And it can work over OSC (Open Sound Control) and Midi and a combination of the 2. Palladium can control 3 mixers at a time. I have been using the Midas M32 and have used 2 of them for some shows. I use Palladium from for scene management. I have used the Roland M400 for theater and I understand that the lack of scribble strips being a problem. Same with having the meters on screen rather than in the surface itself. Quote from: Chris Eddison on September 02, 2017, 05:11:02 AM Quick question for folks using the S21/31 - how do you find the scribble strips being part of the display rather than being the more conventional LCD's set in to the console's surface? It's hard to tell just from photos, but to my eyes they seem a little far away from their associated faders. I'm watching the brand with interest at the minute. I'd probably have bought one on the strength of the literature and demo videos (which didn't show a scene being recalled) had it not been for this, so i'm very glad I got to play with it hands on.ĭLive looks very interesting, especially as they seem open to including some theatre-friendly scene features including the tracking that they've just added to the latest software update. I nearly went for an M5000 as it seemed the logical step with me already having lots of REAC I/O, but I happened to play with one at a trade show and then noticed that a scene recall takes a couple of seconds to process - way too long for theatre. I'm considering a move on from my Roland M480, which has done me incredible service but is just a bit lacking in the scene recall - specifically the per-scene DCA reassignment and also because it lacks scribble strips so whatever you do in a recall has to work with tape labels. Can it do reassignment of channels to DCA's on a per-scene basis? Can it change the labelling on the DCA's per scene too? It's a bit of a frustration (pretty much across the board) that manufacturers don't give much detail in their literature about the abilities of the scene recalls. How good is the scene recall? I realise at this price point it's never going to be as good as a big Digico, let alone one running the T software. Do the faders seem to just fall to hand under their labels or do you find there's just a bit more time needed to trace down from the label to the fader? Finding faders quickly is therefore a big deal for me. I mix theatre - a lot of it just pushing faders rather than using scene recalls as it's often un-rehearsed or one-off stuff where i'm thrown a script and have to mix it.
Quick question for folks using the S21/31 - how do you find the scribble strips being part of the display rather than being the more conventional LCD's set in to the console's surface? It's hard to tell just from photos, but to my eyes they seem a little far away from their associated faders.
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